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What I wish someone had told me before becoming a graphic designer

Want to pursue a career in graphic design? Then don鈥檛 try to reinvent the wheel. Countless designers have gone before you and made mistakes that you can learn from. Find out what they are, and you鈥檒l instantly be a step ahead of the competition.

Image courtesy of Shillington

Image courtesy of Shillington

In this article, we speak to some of 's teachers and graduates to find out what they wish someone had told them before they became a graphic designer. From knowing your limitations to understand the difference between briefs in college and the real-world, this advice is a must-read for any aspiring designer.

1. Respect how much you have to learn

When you鈥檙e young and keen, it鈥檚 a common mistake to bluff and pretend you know more than you do 鈥 even to yourself 鈥 says , a part-time teacher at Shillington.

鈥淲hen I was a student, I wish I鈥檇 known that I didn鈥檛 know everything,鈥 she says, and advises today鈥檚 youngsters to: 鈥淛ust be a student while you still have the 鈥榮tudent pass鈥. Admit you don鈥檛 know everything, and people will be happy to help you. Seize them and ask questions where you can. And be good to your peers and teachers, because you鈥檒l be with them for the rest of your career.鈥

2. The need for self-discipline

鈥淚 wish I鈥檇 known how freelancing while working remotely actually takes a hell of a lot of focus and self-discipline,鈥 says Shillington graduate . 鈥淚t never really crossed my mind when I started, and it鈥檚 a skill I鈥檓 still working on. Sometimes sunshine or offers of coffee, brunch or wine are really hard to say no to!鈥

3. Don鈥檛 say yes to everything

Early on in your career, the right opportunities can be vital in establishing you as a creative. But that doesn鈥檛 automatically mean you should say yes to everything, believes , a past Shillington guest lecturer.

鈥淪aying yes to every opportunity can lead to brilliant work and strong partnerships,鈥 he says. 鈥淏ut it can sometimes lead to taking on a project that may be out of your depth, or not actually paying enough for what the client needs.

鈥淢y first failure in this came from third-party costs on a freelance job,鈥 he recalls. 鈥淚 said yes to the job without properly investigating how much the photographer would cost, how much the studio would be if we鈥檇 need retouching, and so on.鈥

4. Value people you meet

When you鈥檙e starting, one of the most natural things to forget is that you won鈥檛 all be students forever. "It鈥檚 important to value the people you meet along the way,鈥 stresses Shillington graduate . 鈥淵ou never know where things will lead; you could end up working with 鈥 or for 鈥 each other."

5. Be fearless

The best advice I ever received was to be fearless about learning,鈥 says Shillington graduate .

鈥淥ne of the reasons why I love design as a career is because you don鈥檛 have to be limited to one speciality. When I want to broaden my skillset, I tend to have a DIY mentality and will attempt personal projects outside of my day job that will ultimately teach me that new skill.

鈥淚鈥檓 also a big advocate of investing in yourself, and one way I like to do that is by taking classes and workshops for the skills I can鈥檛 teach myself.鈥

6. Real-world briefs need fulfilling fast

鈥淚 wish I鈥檇 had more guidance to how to develop an idea quickly,鈥 says Shillington teacher . 鈥淢y third-year degree was very ideas-focused, and we would often spend weeks pondering, thinking and discussing potential solutions to a design problem. When I started working in studios, though, I quickly realised that the luxury of pondering design solutions for weeks just wasn鈥檛 commercially viable.鈥

7. The importance of theory

鈥淪omething that most design boot camps lack is that theory is so damn important,鈥 says graphic designer and Shillington graduate . 鈥淚 don鈥檛 mean reading one book or two about design. I mean delving into the theory and truly understanding why something worked or didn鈥檛 work; learning about and understanding context. I believe that without studying theory and the history of design, a designer will be missing out on a lot.鈥

8. Research industry rules

Always familiarise yourself with the rules and regulations of the industry you're designing for, advises Shillington graduate , who now works as in Virginia, and specialises in branding and packaging design for the drinks industry.

"I highly recommend designers familiarise themselves with the rules and regulations of the government for products they鈥檙e interested in designing, along with what printing processes are available,鈥 he says.

鈥淔or example, everyone at Watermark is very familiar with the TTB (Tax and Trade Bureau) regulations. A large amount of the packaging work that we take on is alcohol, so knowing these guidelines is very important for us."

9. Meet people

Shillington graduate has a great piece of advice for anyone seeking a career in graphic design. 鈥淕o out into the world and meet people,鈥 she urges. 鈥淪urround yourself with people who are better than you, who are doing things you want to be a part of 鈥 even if it鈥檚 not exactly what you think you want to be doing.

鈥淚f you don鈥檛 have your own project going on, get involved in someone else鈥檚 project to stay busy and inspired,鈥 she adds. 鈥淲ork really hard but be nice, be humble, and be able to take criticism and embrace rejection.鈥

10. Document your process

When you鈥檙e starting your career, it鈥檚 natural to run with your creative instincts. But that can mean you lose track of your process, cautions Eman Abdallah. Instead, he advises: 鈥淒ocument your creative process in words as you go鈥.

鈥淥ne of the main problems I faced when I started designing is not being completely attentive and aware of my own process,鈥 he admits. 鈥淚鈥檇 end up with something amazing, but I couldn't remember exactly why I鈥檇 gone this specific route instead of another. I found it hard to describe my process because I wasn鈥檛 conscious of all the decisions I was making.

鈥淥ver time, though, I developed ways to document the process using text, voice and imagery. It works like magic when you have to explain your work to someone else.鈥

Further Information

This article was written by Sarah McHugh, who is the Director of Shillington, United Kingdom. An award-winning graphic designer, she has worked in both large and small design studios over the last 14 years. Sarah has extensive experience in book design and has a particular interest in print and material processes.

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